Genre Analysis and Corpus Design: Nineteenth-Century Spanish-American Novels (1830–1910)
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Acknowledgements
Summary
Summary
Resumen
Zusammenfassung
Table of Contents
1 Introduction
2 Concepts
2.1 Literary Genres
2.1.1 Disciplinary Locations of Genre Studies
2.1.2 Ontological Status and Relevance of Genres
2.1.2.1 Semiotic Models of Genres
2.1.2.2 Genres and Digital Genre Stylistics: The Roles of Corpora, Genre Labels, Features, and Text Style
2.1.3 System and History
2.1.3.1 A Conceptual Proposal for Digital Genre Stylistics: Literary Text Types, Conventional Literary Genres, and Textual Literary Genres
2.1.3.2 Text Types, Conventional Genres, and Textual Genres in Semiotic Models of Generic Terms
2.1.3.3 Literary Currents, Schools, and Movements
2.1.3.4 Genre Systems and Hierarchies
2.1.3.5 Genre Identity and Variability
2.1.4 Categorization
2.1.4.1 Logical Classes
2.1.4.2 Prototype Categories
2.1.4.3 Family Resemblance Networks
2.2 Style
2.3 Subgenres of the Nineteenth-Century Spanish-American Novel
2.3.1 Thematic Subgenres
2.3.1.1
Novela histórica
2.3.1.2
Novela de costumbres
2.3.1.3
Novela sentimental
2.3.2 Subgenres Related to Literary Currents
2.3.2.1
Novela romántica
2.3.2.2
Novela realista
2.3.2.3
Novela naturalista
3 Corpus
3.1 Selection Criteria
3.1.1 Boundaries of the Novel
3.1.1.1 Fictionality
3.1.1.2 Narrativity
3.1.1.3 Prose
3.1.1.4 Length
3.1.1.5 Independent Publication
3.1.1.6 Additional Criteria
3.1.1.7 A Working Definition of the Novel
3.1.2 Borders of Argentina, Cuba, and Mexico
3.1.3 Limits of the Nineteenth Century
3.2 Bibliographical Database
3.2.1 Sources
3.2.2 Data Model and Text Encoding
3.2.3 Assignment of Subgenre Labels
3.2.3.1 An Example
3.2.3.2 Levels of Subgenre Terms
3.2.3.3 Explicit and Implicit Subgenre Signals
3.2.3.4 Interpretive Subgenre Labels
3.2.3.5 Literary-Historical Subgenre Labels
3.2.3.6 A Discursive Model of Generic Terms
3.3 Text Corpus
3.3.1 Selection of Novels and Sources
3.3.2 Text Treatment
3.3.3 Metadata and Text Encoding
3.3.3.1 TEI Header
3.3.3.1.1 Title and Publication Statements
3.3.3.1.2 Declaration of Rights
3.3.3.1.3 Source Description
3.3.3.1.4 Encoding Description
3.3.3.1.5 Abstracts
3.3.3.1.6 Text Classification with Keywords
3.3.3.1.7 Revision Description
3.3.3.2 TEI Body
3.3.3.2.1 Typographically Marked Subdivisions of the Text
3.3.3.2.2 Typographically Highlighted Words or Phrases
3.3.3.2.3 Gaps
3.3.3.2.4 Verse Lines
3.3.3.2.5 Dramatic Text
3.3.3.2.6 Representations of Written Text
3.3.3.2.7 Quotations
3.3.3.2.8 Direct Speech and Thought
3.3.3.2.9 Embedded Texts
3.3.3.3 TEI Schema
3.3.4 Assignment of Subgenre Labels
3.3.5 Derivative Formats and Publication
4 Analysis
4.1 Metadata Analysis
4.1.1 On Representativeness
4.1.2 Authors
4.1.3 Works
4.1.3.1 Comparison of Bib-ACMé and Conha19
4.1.3.2 Corpus-specific Overviews
4.1.4 Editions
4.1.5 Subgenres
4.1.5.1 Explicit Signals, Implicit Signals, and Literary-Historical Labels
4.1.5.2 Discursive Levels of Subgenre Labels
4.1.5.2.1 Theme
4.1.5.2.2 Literary Currents
4.1.5.2.3 Mode of Representation
4.1.5.2.4 Mode of Reality
4.1.5.2.5 Identity
4.1.5.2.6 Medium
4.1.5.2.7 Attitude
4.1.5.2.8 Intention
4.1.5.3 Subgenre Labels Selected for Text Analysis
4.1.5.3.1 Primary Thematic Labels
4.1.5.3.2 Primary Literary Currents
4.2 Text Analysis
4.2.1 Features
4.2.1.1 General Features: MFW
4.2.1.2 Semantic Features: Topics
4.2.2 Categorization
4.2.2.1 Classification
4.2.2.1.1 Thematic Subgenres
4.2.2.1.2 Literary Currents
4.2.2.2 Family Resemblance: Network Analysis
4.2.2.2.1 Method
4.2.2.2.2 Data
4.2.2.2.3 Results
5 Conclusion
Notes
References
Appendix
Sources of the Novels in the Corpus
Appendix of Figures
Index of Figures
Index of Tables
Index of Examples
Data and Scripts
Bibliography (Bib-ACMé)
Corpus (Conha19)
Analysis Scripts (Scripts-nh)
Analysis Data (Data-nh)
TEI (Dissertation)
Table of Contents
1
Introduction
2
Concepts
2.1
Literary Genres
2.1.1
Disciplinary Locations of Genre Studies
2.1.2
Ontological Status and Relevance of Genres
2.1.2.1
Semiotic Models of Genres
2.1.2.2
Genres and Digital Genre Stylistics: The Roles of Corpora, Genre Labels, Features, and Text Style
2.1.3
System and History
2.1.3.1
A Conceptual Proposal for Digital Genre Stylistics: Literary Text Types, Conventional Literary Genres, and Textual Literary Genres
2.1.3.2
Text Types, Conventional Genres, and Textual Genres in Semiotic Models of Generic Terms
2.1.3.3
Literary Currents, Schools, and Movements
2.1.3.4
Genre Systems and Hierarchies
2.1.3.5
Genre Identity and Variability
2.1.4
Categorization
2.1.4.1
Logical Classes
2.1.4.2
Prototype Categories
2.1.4.3
Family Resemblance Networks
2.2
Style
2.3
Subgenres of the Nineteenth-Century Spanish-American Novel
2.3.1
Thematic Subgenres
2.3.1.1
Novela histórica
2.3.1.2
Novela de costumbres
2.3.1.3
Novela sentimental
2.3.2
Subgenres Related to Literary Currents
2.3.2.1
Novela romántica
2.3.2.2
Novela realista
2.3.2.3
Novela naturalista
3
Corpus
3.1
Selection Criteria
3.1.1
Boundaries of the Novel
3.1.1.1
Fictionality
3.1.1.2
Narrativity
3.1.1.3
Prose
3.1.1.4
Length
3.1.1.5
Independent Publication
3.1.1.6
Additional Criteria
3.1.1.7
A Working Definition of the Novel
3.1.2
Borders of Argentina, Cuba, and Mexico
3.1.3
Limits of the Nineteenth Century
3.2
Bibliographical Database
3.2.1
Sources
3.2.2
Data Model and Text Encoding
3.2.3
Assignment of Subgenre Labels
3.2.3.1
An Example
3.2.3.2
Levels of Subgenre Terms
3.2.3.3
Explicit and Implicit Subgenre Signals
3.2.3.4
Interpretive Subgenre Labels
3.2.3.5
Literary-Historical Subgenre Labels
3.2.3.6
A Discursive Model of Generic Terms
3.3
Text Corpus
3.3.1
Selection of Novels and Sources
3.3.2
Text Treatment
3.3.3
Metadata and Text Encoding
3.3.3.1
TEI Header
3.3.3.1.1
Title and Publication Statements
3.3.3.1.2
Declaration of Rights
3.3.3.1.3
Source Description
3.3.3.1.4
Encoding Description
3.3.3.1.5
Abstracts
3.3.3.1.6
Text Classification with Keywords
3.3.3.1.7
Revision Description
3.3.3.2
TEI Body
3.3.3.2.1
Typographically Marked Subdivisions of the Text
3.3.3.2.2
Typographically Highlighted Words or Phrases
3.3.3.2.3
Gaps
3.3.3.2.4
Verse Lines
3.3.3.2.5
Dramatic Text
3.3.3.2.6
Representations of Written Text
3.3.3.2.7
Quotations
3.3.3.2.8
Direct Speech and Thought
3.3.3.2.9
Embedded Texts
3.3.3.3
TEI Schema
3.3.4
Assignment of Subgenre Labels
3.3.5
Derivative Formats and Publication
4
Analysis
4.1
Metadata Analysis
4.1.1
On Representativeness
4.1.2
Authors
4.1.3
Works
4.1.3.1
Comparison of Bib-ACMé and Conha19
4.1.3.2
Corpus-specific Overviews
4.1.4
Editions
4.1.5
Subgenres
4.1.5.1
Explicit Signals, Implicit Signals, and Literary-Historical Labels
4.1.5.2
Discursive Levels of Subgenre Labels
4.1.5.2.1
Theme
4.1.5.2.2
Literary Currents
4.1.5.2.3
Mode of Representation
4.1.5.2.4
Mode of Reality
4.1.5.2.5
Identity
4.1.5.2.6
Medium
4.1.5.2.7
Attitude
4.1.5.2.8
Intention
4.1.5.3
Subgenre Labels Selected for Text Analysis
4.1.5.3.1
Primary Thematic Labels
4.1.5.3.2
Primary Literary Currents
4.2
Text Analysis
4.2.1
Features
4.2.1.1
General Features: MFW
4.2.1.2
Semantic Features: Topics
4.2.2
Categorization
4.2.2.1
Classification
4.2.2.1.1
Thematic Subgenres
4.2.2.1.2
Literary Currents
4.2.2.2
Family Resemblance: Network Analysis
4.2.2.2.1
Method
4.2.2.2.2
Data
4.2.2.2.3
Results
5
Conclusion
Notes
References
Appendix
Sources of the Novels in the Corpus
Appendix of Figures
Index of Figures
Index of Tables
Index of Examples
